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Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career. Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.) As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played. The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument). Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.收起
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提莫西·查拉梅 奥利维娅·科尔曼 休·格兰特 卡拉·莱恩 科甘-迈克尔·凯 佩特逊·约瑟夫 马特·卢卡斯 马修·贝恩顿 莎莉·霍金斯 罗温·艾金森 汤姆·戴维斯 吉姆·卡特 娜塔莎·罗斯韦尔 瑞奇·富尔切尔 拉卡·塔克雷尔 西蒙·法纳比 艾丽·怀特 夏洛特·里奇 菲尔·王 寇布勒·霍尔德布鲁克-史密斯 科林·奥布莱恩 特蕾西·伊芙艾策尔 芙蕾雅·帕克 贾斯汀·爱德华兹 鲁弗斯·琼斯 默里·麦克阿瑟 格兰特·克鲁克斯 阿尔弗雷多·塔瓦雷斯 皮埃尔·伯格曼 贾格·帕特尔 斯蒂芬·菲切特 吉安尼·卡尔切蒂
影片聚焦经典之作《查理和巧克力工厂》的主人公威利·旺卡(提莫西·查拉梅 饰),这位年轻且天赋异禀的发明家、魔术师、巧克力制作师,是如何经历奇幻冒险,成长为观众挚爱的巧克力工厂掌门人的故事。
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